_
_______
____________Pouring On House, HD video 2018
________
__
______ma skin, 2017
____________________
_____blow-up daddy, 2018.
___
_______
___________we can be your daddy, 2018
_
____
___________________________________________________________________________
hip-opener
_________
___________everything i have left, one of a kind handmade book for Nina Wijnmaalen
_______
___
__________1 hour with butoh, church bell drone and elastic harnesses in ancient sewer, 2016
___
______
____________All I've Ever Wanted is Sex Appeal,
cast dyed latex
__________________________
My Baby, PVC banner (vandalised during exhibition)
_________________
___________________________
_________________________________SHEIK IS A GIRL!
______
_______________________________________________________________________Enthralled to the Extent, 2014-2015
_____And Somehow the Face of an Imagined Lover is Looking at Me, video (21min), 2016
_______
_________Photos for The Masseuse, 2015
______________
__________________________
____________________________________Ship, 2016
__________
_____________________________
_____________
________
Inverted Shell, 3 hours
______________
_______________
___________________
________
____________Not Yet Here, digital prints on cotton satin
_________
_______________________________________ ___________________________________________________with Karolina Szpyrko, 2015
____________________________________________
___A Very Tight Corset
___________________________
____
_____________________________________________self-made tally mark tattoo to be added to every time love is felt, 2015-death
__________
Dark Temptation, cast iron
_______Recurring, 2013
____
____Affair, 2014-2015
various drawings made in retail stores on receipt paper with ballpoint pen,
permanent marker, stamp, money checker pen,
price stickers, highlighter pen,
chewing gum and blood
_______
_________Preying and Praying__ 2014
_______
performance with clippers, torches, audio, live video feed and reapplied body hair
_________________Says "Hi", Nothing More Than Hi, 2014, one-to-ones
________
You Don't Come Alone, live performance with vibration plate, acetate signs, electrical tape and audio
____________________________________________________________________________________In Here I Could Be Anywhere, 2014
___________
__There is Always Absence2014
_________________________46 hours over 26 days with towels, own bedframe, stolen barrier and cardboard box emitting audio
__________________________
____________________________________Parts I Perversely Lust for (My Body as a Diagram), 2013
_____
_____To Be De-Stifled, 2013
____________3 hours with voice recorder, amp, speakers and photographer using 36 exposure film
__________________________________________________________________________________________Conor Baird © 2019
