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______ma skin, 2017
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_____blow-up daddy, 2018.
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______________________we can be your daddy, 2018
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___________________________________________________________________________
hip-opener
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___________everything i have left, one of a kind handmade book for Nina Wijnmaalen
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__________1 hour with butoh, church bell drone and elastic harnesses in ancient sewer, 2016
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____________All I've Ever Wanted is Sex Appeal,
cast dyed latex
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My Baby, PVC banner (vandalised during exhibition)
_________________
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_________________________________SHEIK IS A GIRL!
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_______________________________________________________________________Enthralled to the Extent, 2014-2015
_____And Somehow the Face of an Imagined Lover is Looking at Me, video (21min), 2016
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_________Photos for The Masseuse, 2015
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____________________________________Ship, 2016
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Inverted Shell, 3 hours
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____________Not Yet Here, digital prints on cotton satin
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_______________________________________ ___________________________________________________with Karolina Szpyrko, 2015
____________________________________________
___A Very Tight Corset
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_____________________________________________self-made tally mark tattoo to be added to every time love is felt, 2015-death
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Dark Temptation, cast iron
_______Recurring, 2013
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____Affair, 2014-2015
various drawings made in retail stores on receipt paper with ballpoint pen,
permanent marker, stamp, money checker pen,
price stickers, highlighter pen,
chewing gum and blood
_______
_________Preying and Praying__ 2014
_______
performance with clippers, torches, audio, live video feed and reapplied body hair
_________________Says "Hi", Nothing More Than Hi, 2014, one-to-ones
________
You Don't Come Alone, live performance with vibration plate, acetate signs, electrical tape and audio
____________________________________________________________________________________In Here I Could Be Anywhere, 2014
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__There is Always Absence2014
_________________________46 hours over 26 days with towels, own bedframe, stolen barrier and cardboard box emitting audio
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____________________________________Parts I Perversely Lust for (My Body as a Diagram), 2013
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_____To Be De-Stifled, 2013
____________3 hours with voice recorder, amp, speakers and photographer using 36 exposure film
__________________________________________________________________________________________Conor Baird © 2018
